The role of contour and intervals in the recognition of melody parts: Evidence from cerebral asymmetries in musicians.
| authors | |
|---|---|
| year | 1992 |
| current status | published |
| journal | Neuropsychologia |
| volume | 30(3) |
| pages | 277-282 |
| reference | Peretz, I. & Babaï, M. (1992) The role of contour and intervals in the recognition of melody parts: Evidence from cerebral asymmetries in musicians. Neuropsychologia , vol. 30(3), pp. 277-282 |
Downloads
Peretz__Babai_1992.pdf3.9 MB pdf
created over 5 years ago
| updated over 4 years ago