Selected publications, by year
2006top
2003top
Peretz, I. (2003) Brain specialization for music: New evidence from congenital amusia.In, I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music. Oxford: Oxford University Press, pp. 192-203
Peretz, I. (2003) Brain specialization for music: New evidence from congenital amusia.In, I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music. Oxford: Oxford University Press, pp. 192-203
2002top
Peretz, I. (2002) La musica e il cervello.In, J. Nattiez, M. Bent, R. Dalmonte & M. Baroni (Eds.), Enciclopedia della musica vol. II, Torino: G. Einaudi
Peretz, I. (2002) La musica e il cervello.In, J. Nattiez, M. Bent, R. Dalmonte & M. Baroni (Eds.), Enciclopedia della musica vol. II, Torino: G. Einaudi
2001top
Peretz, I. (2001) Listen to the brain: The biological perspective on musical emotions.In, J.A. Sloboda & P. Juslin (Eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press
Peretz, I. (2001) Music perception and recognition.In, B. Rapp (Ed.), The Handbook of Cognitive Neuropsychology. Hove: Psychology Press, pp. 519-540
Peretz, I. (2001) The biological foundations of music.In, E. Dupoux (Ed.), Language, Brain and Cognitive development: Essays in honor of Jacques Mehler. Cambridge: The MIT Press, A bradford book.
Peretz, I. (2001) Listen to the brain: The biological perspective on musical emotions.In, J.A. Sloboda & P. Juslin (Eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press
Peretz, I. (2001) Music perception and recognition.In, B. Rapp (Ed.), The Handbook of Cognitive Neuropsychology. Hove: Psychology Press, pp. 519-540
Peretz, I. (2001) The biological foundations of music.In, E. Dupoux (Ed.), Language, Brain and Cognitive development: Essays in honor of Jacques Mehler. Cambridge: The MIT Press, A bradford book.
1997top
Patel, A. & Peretz, I. (1997) Is music autonomous from language? A neuropsychological appraisal.In, I. Deliège & J.A. Sloboda (Eds.), Perception and cognition of music. Hove: Psychology Press, pp. 191-215
Patel, A. & Peretz, I. (1997) Is music autonomous from language? A neuropsychological appraisal.In, I. Deliège & J.A. Sloboda (Eds.), Perception and cognition of music. Hove: Psychology Press, pp. 191-215
1995top
Peretz, I. & Hébert, S. (1995) Music processing after brain damage: The case of rhythm without melody.In, R. Steinberg (Ed.), Music and the mind machine. The psychophysiology and psychopathology of the sense of music. Berlin: Springer-Verlag, pp. 127-137
Peretz, I. & Hébert, S. (1995) Music processing after brain damage: The case of rhythm without melody.In, R. Steinberg (Ed.), Music and the mind machine. The psychophysiology and psychopathology of the sense of music. Berlin: Springer-Verlag, pp. 127-137
1994top
Peretz, I. (1994) Les agnosies auditives: une analyse fonctionnelle.In, S. McAdams & E. Bigand (Eds.), Penser les sons. Psychologie cognitive de l'audition. Paris: Presses universitaires de France, pp. 215-248. translation
Peretz, I. (1994) Les agnosies auditives.In, X. Seron & M. Jeannerod (Eds.), Neuropsychologie Humaine. Liège: Mardaga, pp. 205-216
Peretz, I. (1994) Les agnosies auditives: une analyse fonctionnelle.In, S. McAdams & E. Bigand (Eds.), Penser les sons. Psychologie cognitive de l'audition. Paris: Presses universitaires de France, pp. 215-248. translation
Peretz, I. (1994) Les agnosies auditives.In, X. Seron & M. Jeannerod (Eds.), Neuropsychologie Humaine. Liège: Mardaga, pp. 205-216
1993top
Peretz, I. (1993) Auditory agnosia: A functional analysis.In, S. McAdams & E. Bigand (Eds.), Thinking in Sound. The Cognitive Psychology of Human Audition. New York: Oxford University Press, pp. 199-230
Peretz, I. & Morais, J. (1993) Specificity for music.In, F. Boller & J. Grafman (Eds.), Handbook of Neuropsychology vol. 8, Amsterdam: Elsevier, pp. 373-390
Peretz, I. (1993) Auditory agnosia: A functional analysis.In, S. McAdams & E. Bigand (Eds.), Thinking in Sound. The Cognitive Psychology of Human Audition. New York: Oxford University Press, pp. 199-230
Peretz, I. & Morais, J. (1993) Specificity for music.In, F. Boller & J. Grafman (Eds.), Handbook of Neuropsychology vol. 8, Amsterdam: Elsevier, pp. 373-390
1989top
Peretz, I. & Morais, J. (1989) La musique et la modularité.In, S. McAdams & I. Deliège (Eds.), La musique et les sciences cognitives. Liège: Mardaga, pp. 393-414. translation
Peretz, I. & Morais, J. (1989) La musique et la modularité.In, S. McAdams & I. Deliège (Eds.), La musique et les sciences cognitives. Liège: Mardaga, pp. 393-414. translation
1988top
Peretz, I. & Morais, J. (1988) Determinants of laterality for music: Toward an information processing account.In, K. Hugdahl (Ed.), Handbook of dichotic listening: Theory, methods and research. New York: J. Wiley, pp. 284-323
Peretz, I. & Morais, J. (1988) Determinants of laterality for music: Toward an information processing account.In, K. Hugdahl (Ed.), Handbook of dichotic listening: Theory, methods and research. New York: J. Wiley, pp. 284-323