Publications with Régine Kolinsky
Articles
Lidji, P., Jolicoeur, P., Kolinsky, R., Moreau, P., Connolly, JF. & Peretz, I. (2010) Early integration of vowel and pitch processing: A mismatch negativity study. Clinical Neurophysiology , vol. 121-4, pp. 533-541
Kolinsky, R., Cuvelier, H., Goetry, V., Peretz, I. & Morais, J. (2009) Music Training Facilitates Lexical Stress Processing. Music Perception , vol. 26-3, pp. 235-246
Lidji, P., Jolicoeur, P., Moreau, P., Kolinsky, R. & Peretz, I. (2009) Integrated Preattentive Processing of Vowel and Pitch: A Mismatch Negativity Study. Annals of the New York Academy of Sciences , vol. 1169, pp. 481-484
Kolinsky, R., Lidji, P., Peretz, I., Besson, M. & Morais, J. (2009) Processing interactions between phonology and melody: Vowels sing but consonants speak. Cognition , vol. 112, pp. 1-20
Lidji, P. & Kolinsky, R. (2008) Hauteurs musicales: Quand l'espace s'en mêle. Revue de Neuropsychologie , vol. 18, pp. 7-32. in French
Schön, D., Boyer, M., Moreno, S., Besson, M., Peretz, I. & Kolinsky, R. (2008) Songs as an aid for language acquisition. Cognition , vol. 106, pp. 975-983
Lidji, P., Kolinsky, R., Lochy, A. & Morais, J. (2007) Spatial Associations for Musical Stimuli : A Piano in the Head? Journal of Experimental Psychology: Human Perception and performance . 33 (5), 1189-1207.
Kolinsky, R., Fery, P., Messina, D., Peretz, I., Evinck, S., Ventura, P. & Morais, J. (2002) The fur of the crocodile and the mooing sheep: A longitudinal study of a patient with category-specific impairment for biological things. Cognitive Neuropsychology , vol. 19, pp. 301-342
Peretz, I., Kolinsky, R., Tramo, M., Labrecque, R., Hublet, C., Demeurisse, G. & Belleville, S. (1994) Functional dissociations following bilateral lesions of auditory cortex. Brain , vol. 117, pp. 1283-1302
Peretz, I. & Kolinsky, R. (1993) Boundaries of separability between melody and rhythm in music discrimination: A neuropsychological perspective. Quarterly Journal of Experimental Psychology , vol. 46A, pp. 301-325
Presentations
Lidji, P., Kolinsky, R., Peretz, I., Vanasse-Larochelle, J-P. & Morais, J. (2007) Do lyrics and tune telling different stories disturb the listeners? SMPC (Society for Music Perception and Cognition) conference . (poster presentation)
Lidji, P., Peretz, I., Kolinsky, R., Colin, C. & Morais, J. (2007) Pre-attentive and attentive change detection of vowel and pitch in sung syllables: An event-related potential study. Language and music as cognitive systems, Cambridge (UK).
Lidji, P., Franco, A., Kolinsky, R. & Peretz, I. (2006) Un, deux, trois, chantons ! Interactions entre hauteur des notes et chiffres. Congrès de l’ACFAS , L'interdisciplinarité dans les sciences et technologies de la musique. Montréal (Canada)
Lidji, P., Kolinsky, R., Peretz, I. & Morais, J. (2006) Interactions between phonemes and melody in the perception of natural and synthesized sung syllables. 9th International Conference on Music Perception and Cognition. Bologne (Italy)
Lidji, P., Kolinsky, R., Lochy, A., Karnas, D. & Morais, J. (2005) A piano in the head ? Spatial associations of response codes for musical stimuli. Belgian Association for Pyschological Science Annual Meeting, Gand (Belgium)
Lidji, P., Kolinsky, R., Lochy, A., Karnas, D. & Morais, J. (2005) A piano in the head ? Spatial associations of response codes for musical stimuli. Neurosciences and Music II, Leipzig (Germany)
Lidji, P., Kolinsky, R., Peretz, I., Besson, M., Astesano, C. & Morais, J. (2005) Perceptual interactions between lyrics and tunes : Vowels sing but consonants speak. Neurosciences and Music II, Leipzig (Germany)
Lidji, P., Kolinsky, R., Besson, M., Peretz, I. & Morais, J. (2004) Relations between phonology and melody in the perception and the memory of songs. HFSP Team Meeting, Lisbonne (Portugal)
Lidji, P., Kolinsky, R., Peretz, I., Astesano, C., Besson, M. & Morais, J. (2004) Interactions between phonological and melodical dimensions of songs. Workshop Psycholinguistics in Flanders. Anvers (Belgium)
Lidji, P., Kolinsky, R. & Morais, J. (2004) Lines in the mind ? The SMARC and SNARC effects. Montreal Workshop on Music and Language. Montreal (Canada)