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Publications by Isabelle Peretz

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Articles

Lidji, P., Jolicoeur, P., Kolinsky, R., Moreau, P., Connolly, JF. & Peretz, I. (submitted) Early integration of vowel and pitch: A mismatch negativity study. Clinical neurophysiology

Peretz, I. (in press) Towards a neurobiology of musical emotions. Handbook of Music and Emotion: Theory, research, applications. Eds P. Juslin & J. Sloboda. Oxford: Oxford University Press. Chapter

Peretz, I., Brattico, E., Tervaniemi, M. & Moreau, P. (in press) Activité électrophysiologique anormale en réponse à des différences de hauteurs chez les amusiques congénitaux.

Gosselin, N., Jolicoeur, P. & Peretz, I. (2009) Impaired Memory for Pitch in Congenital Amusia. Ann. N.Y. Acad. Sci., vol. 1169, pp. 270-272

Nguyen, S., Tillman, B., Gosselin, N. & Peretz, I. (2009) Tonal Language Processing in Congenital Amusia. Ann. N.Y. Acad. Sci., vol. 1169, pp. 490-493

Dalla Bella, S., Giguère, J-F. & Peretz, I. (2009) Singing in congenital amusia. J. Acoust. Soc. Am, vol. 126, pp. 414-424

Lidji, P., Jolicoeur, P., Moreau, P., Kolinsky, R. & Peretz, I. (2009) Integrated Preattentive Processing of Vowel and Pitch: A Mismatch Negativity Study. Annals of the New York Academy of Sciences, vol. 1169, pp. 481-484

Moreau, P., Jolicoeur, P. & Peretz, I. (2009) Automatic Brain Responses to Pitch Changes in Congenital Amusia. Annals of the New York Academy of Sciences, vol. 1169, pp. 191-194

Peretz, I., Brattico, E., Järvenpää, M. & Tervaniemi, M. (2009) The amusic brain: in tune, out of key, and unaware. Brain, vol. 132, pp. 1277-1286

Fritz, T., Jentschke, S., Gosselin, N., Sammler, D., Peretz, I., Turner, R., Friederici, AD. & Koelsch, S. (2009) Universal Recognition of Three Basic Emotions in Music. Current Biology, vol. 19, pp. 1-4

Roy, M., Mailhot, J-P., Gosselin, N., Paquette, S. & Peretz, I. (2009) Modulation of the startle reflex by pleasant and unpleasant music. International Journal of Psychophysiology, vol. 71, pp. 37-42

Peretz, I., Gosselin, N., Belin, P., Zattore, R., Plailly, J. & Tillmann, B. (2009) Music Lexical networks: The cortical organization of music recognition. Annals of the New York Academy of Sciences, vol. 1169, pp. 256-265

Kolinsky, R., Lidji, P., Peretz, I., Besson, M. & Morais, J. (2009) Processing interactions between phonology and melody: Vowels sing but consonants speak. Cognition, vol. 112, pp. 1-20

Peretz, I. (2008) The need to consider underlying mechanisms: A response from dissonance. Behavioral and Brain Sciences, vol. 31, pp. 590-591. see Open Peer Commentary (I. Peretz) on page 590

Peretz, I. (2008) Musical Disorders: From Behavior to Genes. Current Directions in Psychological Science, vol. 17, pp. 329-333

Patel, A., Wong, M., Foxton, J., Lochy, A. & Peretz, I. (2008) Speech intonation perception deficits in musical tone deafness (congenital amusia). Music Perception, vol. 25, pp. 357-368

Särkämö, T., Tervaniemi, M., Laitinen, S., Forsblom, A., Soinila, S., Mikkonen, M., Autti, T., Silvennoinen, H., Erkkilä, J., Laine, M., Peretz, I. & Hietanen, M. (2008) Music listening enhances cognitive recovery and mood after middle cerebral artery stroke. Brain, vol. 131, pp. 866-876

Hébert, S., Béland, R., Beckett, C., Cuddy, L.L., Peretz, I. & Wolforth, J. (2008) A case study of music and text dyslexia. Music Perception, vol. 25, pp. 369-381

Peretz, I., Gosselin, N., Tillmann, B., Cuddy, L.L., Gagnon, B., Trimmer, CG., Paquette, S. & Bouchard, B. (2008) On-line Identification of Congenital Amusia. Music Perception, vol. 25-4, pp. 331-343

Khalfa, S., Roy, M., Rainville, P., Dalla Bella, S. & Peretz, I. (2008) Role of tempo entrainment in psychophysiological differentiation of happy and sad music? International Journal of Psychophysiology, vol. 68, pp. 17-26

Schön, D., Boyer, M., Moreno, S., Besson, M., Peretz, I. & Kolinsky, R. (2008) Songs as an aid for language acquisition. Cognition, vol. 106, pp. 975-983

Schellenberg, G., Peretz, I. & Vieillard, S. (2008) Linking for happy- and sad-sounding music: Effects of exposure. Cognition and Emotion, vol. 22, pp. 218-237

Roy, M., Peretz, I. & Rainville, P. (2008) Emotional valence contributes to music-induced analgesia. Pain, vol. 134, pp. 140-147

Vieillard, S., Peretz, I., Gosselin, N., Khalfa, S., Gagnon, L. & Bouchard, B. (2008) Happy, sad, scary and peaceful musical excerpts for research on emotions. Cognition and Emotion

Hyde, K., Peretz, I. & Zatorre, R. (2008) Evidence for the role of the right auditory cortex in fine pitch resolution. Neuropsychologia

Schellenberg, G. & Peretz, I. (2007) Music, language and cognition: unresolved issues. Trends in Cognitive Sciences, vol. 12

Hyde, K., Lerch, J., Zatorre, R., Griffiths, T.D., Evans, A. & Peretz, I. (2007) Cortical thickness in congenital amusia: When less is better than more. The Journal of Neuroscience, vol. 47, pp. 13028-13032

Tillmann, B., Peretz, I., Bigand, E. & Gosselin, N. (2007) Harmonic priming in an amusic patient:The power of implicit tasks. Cognitive Neuropsychology, vol. 24, pp. 603-622

Peretz, I., Cummings, S. & Dubé, M-P. (2007) The genetics of congenital amusia (Tone Deafness): A family-aggregation study. The American Journal of Human Genetics, vol. 81

Racette, A. & Peretz, I. (2007) Learning lyrics: to sing or not to sing? Memory & Cognition

Gosselin, N., Peretz, I., Johnsen, E. & Adolphs, R. (2007) Amygdala damage impairs emotion recognition from music. Neuropsychologia, vol. 45, pp. 236-244

Dalla Bella, S., Giguère, J-F. & Peretz, I. (2007) Singing proficiency in the general population. Journal of The Acoustical Society of America

Peretz, I. & Lidji, P. (2006) Une perspective biologique sur la nature de la musique. Revue de Neuropsychologie.

Brattico, E., Tervaniemi, M., Näätänen, R. & Peretz, I. (2006) Musical scale properties are automatically processed in the human auditory cortex. Brain research, vol. 1117, pp. 162-174

Peretz, I. (2006) The nature of music from a biological perspective Cognition, vol. 100, pp. 1-32

Hyde, K., Zatorre, R., Griffiths, T.D., Lerch, J. P. & Peretz, I. (2006) Morphometry of the amusic brain: a two-site study. Brain, vol. 129, pp. 2562-2570

Gosselin, N., Samson, S., Adolphs, R., Noulhiane, M., Roy, M., Hasboun, D., Baulac, M. & Peretz, I. (2006) Emotional responses to unpleasant music correlates with damage to the parahippocampal cortex Brain, vol. 129, pp. 2585-2592

Racette, A., Bard, C. & Peretz, I. (2006) Making non-fluent aphasics speak: Sing along! Brain, vol. 129, pp. 2571-2584

Sloboda, J.A., Wise, K.J. & Peretz, I. (2005) Quantifying Tone Deafness in the General Population. Annals of the New York Academy of Sciences, vol. 1060, pp. 255-261

Samson, S. & Peretz, I. (2005) Effects of Prior Exposure on Music Liking and Recognition in Patients with Temporal Lobe Lesions. Annals of the New York Academy of Sciences, vol. 1060, pp. 418-428

Cuddy, L.L., Balkwill, L-L., Peretz, I. & Holden, RR. (2005) Musical Difficulties Are Rare: A Study of "Tone Deafness" among University Students. Annals of the New York Academy of Sciences, vol. 1060, pp. 311-324

Peretz, I., Brattico, E. & Tervaniemi, M. (2005) Abnormal Electrical Brain Responses to Pitch in Congenital Amusia. Annals of Neurology, vol. 58, pp. 478-482

Peretz, I. & Zatorre, R. (2005) Brain organization for music processing. Annual Review of Psychology, vol. 56, pp. 89-114

Dalla Bella, S. & Peretz, I. (2005) Fine differentiation and ordering of classical music requires little learning but rhythm. Cognition

Gosselin, N., Peretz, I., Noulhiane, M., Hasboun, D., Beckett, C., Baulac, M. & Samson, S. (2005) Impaired recognition of scary music following unilateral temporal lobe excision. Brain, vol. 128, pp. 628-640

Foxton, J.M., Dean, J.L., Gee, R., Peretz, I. & Griffiths, T.D. (2004) Characterization of deficits in pitch perception underlying 'tone deafness'. Brain, vol. 127(4), pp. 801-810

Hyde, K. & Peretz, I. (2004) Brains that are out of tune but in time. Psychological Science, vol. 15(5), pp. 356-360

Peretz, I., Gagnon, L., Hébert, S. & Macoir, J. (2004) Singing in the brain: Insights from cognitive neuropsychology. Music Perception, vol. 21(3), pp. 373-390

Peretz, I., Radeau, M. & Arguin, M. (2004) Two-way interactions between music and language: Evidence from priming recognition of tune and lyrics in familiar songs. Memory & Cognition

Quoniam, N., Ergis, A.M., Fossati, P., Peretz, I., Samson, S., Sarazin, M. & Allilaire, J.F. (2003) Implicit and explicit emotional memory for melodies in Alzheimer's disease and depression. Annals of the New York Academy of Sciences, vol. 999, pp. 381-384

Khalfa, S., Dalla Bella, S., Roy, M., Peretz, I. & Lupien, S.J. (2003) Effects of relaxing music on salivary cortisol level after psychological stress. Annals of the New York Academy of Sciences, vol. 999, pp. 374-376

Peretz, I., Champod, S. & Hyde, K. (2003) Varieties of Musical Disorders: The Montreal Battery of Evaluation of Amusia. Annals of the New York Academy of Sciences, vol. 999, pp. 58-75

Gagnon, L. & Peretz, I. (2003) Mode and tempo relative contributions to "happy - sad" judgments in equitone melodies. Cognition and Emotion, vol. 17, pp. 25-40

Hébert, S., Racette, A., Gagnon, L. & Peretz, I. (2003) Revisiting the dissociation between singing and speaking in expressive aphasia. Brain, vol. 126(8), pp. 1838-1850

Dalla Bella, S., Peretz, I. & Aronoff, N. (2003) Time course of melody recognition: A gating paradigm study. Perception & Psychophysics, vol. 65(7), pp. 1019-1028

Bonnel, A., Mottron, L., Peretz, I., Trudel, M., Gallun, E. & Bonnel, A-M. (2003) Enhanced pitch sensitivity in individuals with autism: A signal detection analysis. Journal of Cognitive Neuroscience, vol. 15(2), pp. 226-235

Belleville, S., Caza, N. & Peretz, I. (2003) A neuropsychological argument for a processing view of memory. Journal of Memory and Language, vol. 48(4), pp. 686-703

Peretz, I. & Coltheart, M. (2003) Modularity of music processing. Nature Neuroscience, vol. 6(7), pp. 688-691

Peretz, I. & Hyde, K. (2003) What is specific to music processing? Insights from congenital amusia. Trends in Cognitive Sciences, vol. 7(8), pp. 362-367

Kolinsky, R., Fery, P., Messina, D., Peretz, I., Evinck, S., Ventura, P. & Morais, J. (2002) The fur of the crocodile and the mooing sheep: A longitudinal study of a patient with category-specific impairment for biological things. Cognitive Neuropsychology, vol. 19, pp. 301-342

Khalfa, S., Peretz, I., Blondin, J-P. & Manon, R. (2002) Event-related skin conductance responses to musical emotions in humans. Neuroscience Letters, vol. 328, pp. 145-149

Peretz, I. (2002) Brain specialization for music. The Neuroscientist, vol. 8, pp. 372-380

Peretz, I., Ayotte, J., Zatorre, R., Mehler, J., Ahad, P., Penhune, V. & Jutras, B. (2002) Congenital Amusia: A Disorder of Fine-Grained Pitch Discrimination. Neuron, vol. 33, pp. 185-191

Ayotte, J., Peretz, I. & Hyde, K. (2002) Congenital amusia. A group study of adults afflicted with a music-specific disorder. Brain, vol. 125, pp. 238-251

Hyde, K., Peretz, I. & Patel, A.D. (2001) A dissociation between the processing of prosodic and musical patterns: evidence from a new case of congenital amusia. J Cogn Neurosci. Suppl: 15.

Peretz, I. (2001) Brain specialization for music: New evidence from congenital amusia. In: Biological foundations of music. Annals of the New York Academy of Sciences, vol. 930, pp. 153-165

Peretz, I., Blood, A.J., Penhune, V. & Zatorre, R. (2001) Cortical deafness to dissonance. Brain, vol. 124, pp. 928-940

Hébert, S. & Peretz, I. (2001) Are text and tune of familiar songs separable by brain damage ? Brain and Cognition, vol. 46, pp. 169-175

Dalla Bella, S., Peretz, I., Rousseau, L. & Gosselin, N. (2001) A developmental study of the affective value of tempo and mode in music. Cognition, vol. 80, pp. B1-B10

Peretz, I. & Hébert, S. (2000) Toward a biological account of music experience. Brain and Cognition, vol. 42, pp. 132-134. Invited paper

Griffiths, T.D., Penhune, V., Peretz, I., Dean, J.L., Patterson, R.D. & Green, G.G.R. (2000) Frontal processing and auditory perception. Neuroreport, vol. 11(5), pp. 919-922

Gagnon, L. & Peretz, I. (2000) Laterality effects in processing tonal and atonal melodies with affective and non-affective task instructions. Brain and Cognition, vol. 43(1-3), pp. 206-210

Mottron, L., Peretz, I. & Ménard, E. (2000) Local and global processing of music in high-functioning persons with autism: Beyond cerebral coherence ? Journal of Child Psychology and Psychiatry, vol. 41, pp. 1057-1065

Ayotte, J., Peretz, I., Rousseau, I., Bard, C. & Bojanowski, M. (2000) Patterns of music agnosia associated with middle cerebral artery artefact. Brain, vol. 123(9), pp. 1926-1938

Peretz, I. & Gagnon, L. (1999) Dissociation between recognition and emotional judgment for melodies. Neurocase, vol. 5, pp. 21-30

Gaudreau, D. & Peretz, I. (1999) Implicit and explicit memory for music in old and young adults. Brain and Cognition, vol. 40, pp. 126-129

Mottron, L., Peretz, I., Belleville, S. & Rouleau, N. (1999) Absolute pitch in autism: A case-study. Neurocase, vol. 5, pp. 485-501. Invited paper

Dalla Bella, S. & Peretz, I. (1999) Music agnosias: Selective impairments of music recognition after brain damage. Journal of New Music Research, special issue on "Neuromusicology", vol. 28, pp. 209-216. Invited paper

Steele, K., Dalla Bella, S., Peretz, I., Dunlop, T., Dawe, L., Humphrey, G., Shannon, R., Kirby, J. Jr. & Olmstead, C. (1999) Prelude or requiem for "The Mozart effect"? Nature, vol. 400, pp. 827-828

Besson, M., Faïta, F., Peretz, I., Bonnel, A-M. & Requin, J. (1998) Singing in the brain: Independence of Lyrics and Tunes. Psychological Science, vol. 9(6), pp. 494-498

Peretz, I., Gaudreau, D. & Bonnel, A-M. (1998) Exposure effects on music preference and recognition. Memory & Cognition, vol. 26(5), pp. 884-902

Peretz, I., Gagnon, L. & Bouchard, B. (1998) Music and emotion: perceptual determinants, immediacy and isolation after brain damage. Cognition, vol. 68, pp. 111-141

Patel, A.D., Peretz, I., Tramo, M. & Labrecque, R. (1998) Processing prosodic and musical patterns: A neuropsychological investigation. Brain and Language, vol. 61(2), pp. 123-144

Peretz, I., Lussier, I. & Béland, R. (1998) The differential role of syllabic structure in stem completion for French and English. The European Journal of Cognitive Psychology, vol. 10(1), pp. 75-112

Liégeois-Chauvel, C., Peretz, I., Babaï, M., Laguitton, V. & Chauvel, P. (1998) Contribution of different cortical areas in the temporal lobes to music processing. Brain, vol. 121, pp. 1853-1867

Hébert, S. & Peretz, I. (1997) Recognition of music in long-term memory: Are melodic and temporal patterns equal partners? Memory & Cognition, vol. 25, pp. 518-533

Paquette, C. & Peretz, I. (1997) Role of familiarity in auditory discrimination of musical instrument: A laterality study. Cortex, vol. 33, pp. 689-696

Peretz, I., Belleville, S. & Fontaine, F-S. (1997) Dissociations entre musique et langage après atteinte cérébrale: un nouveau cas d'amusie sans aphasie. Revue canadienne de psychologie expérimentale, vol. 51(4), pp. 354-367. Invited paper

Belleville, S., Peretz, I. & Malenfant, D. (1996) Examination of the working memory components in normal aging and in dementia of the Alzheimer type. Neuropsychologia, vol. 34(3), pp. 195-207

Peretz, I. (1996) Can we lose memories for music? The case of music agnosia in a nonmusician. Journal of Cognitive Neuroscience, vol. 8(6), pp. 481-496

Rousseau, L., Peretz, I., Liégeois-Chauvel, C., Demany, L., Semal, C. & Larue, S. (1996) Spectral and virtual pitch perception of complex tones: An opposite lateralization? Brain and Cognition, vol. 30(3), pp. 303-308

Paquette, C., Bourassa, M. & Peretz, I. (1996) Left-ear advantage in pitch perception of complex tones without energy at the fundamental frequency. Neuropsychologia, vol. 34(2), pp. 153-157

Peretz, I., Babaï, M., Lussier, I., Hébert, S. & Gagnon, L. (1995) Corpus d'extraits musicaux: indices relatifs à la familiarité, à l'âge d'acquisition et aux évocations verbales. Revue canadienne de psychologie expérimentale, vol. 49, pp. 211-239

Peretz, I., Kolinsky, R., Tramo, M., Labrecque, R., Hublet, C., Demeurisse, G. & Belleville, S. (1994) Functional dissociations following bilateral lesions of auditory cortex. Brain, vol. 117, pp. 1283-1302

Peretz, I. & Kolinsky, R. (1993) Boundaries of separability between melody and rhythm in music discrimination: A neuropsychological perspective. Quarterly Journal of Experimental Psychology, vol. 46A, pp. 301-325

Chatelois, J., Pineau, H., Belleville, S., Peretz, I., Lussier, I., Fontaine, F-S. & Renaseau-Leclerc, C. (1993) Batterie informatisée d'évaluation de la mémoire inspirée de l'approche cognitive. Psychologie canadienne, vol. 34, pp. 45-63

Peretz, I. (1993) Auditory Atonalia for Melodies. Cognitive Neuropsychology, vol. 10, pp. 21-56

Peretz, I. & Babaï, M. (1992) The role of contour and intervals in the recognition of melody parts: Evidence from cerebral asymmetries in musicians. Neuropsychologia, vol. 30(3), pp. 277-282

Belleville, S., Peretz, I. & Arguin, M. (1992) Contribution of articulatory rehearsal to short-term memory: Evidence from a case of selective disruption. Brain and Language, vol. 43, pp. 713-746

Peretz, I. (1990) Processing of local and global musical information in unilateral brain-damaged patients. Brain, vol. 113, pp. 1185-1205

Peretz, I. & Morais, J. (1989) Music and modularity. Contemporary Music Review, vol. 4, pp. 277-291

Bertoncini, J., Morais, J., Bijeljac-Babic, R., McAdams, S., Peretz, I. & Mehler, J. (1989) Dichotic perception and laterality in neonates. Brain and Language, vol. 37, pp. 591-605

Peretz, I., Morais, J. & Bertelson, P. (1987) Shifting ear differences in melody recognition through strategy inducement. Brain and Cognition, vol. 6, pp. 202-215

Peretz, I. & Morais, J. (1987) Analytic processing in the classification of melodies as same or different. Neuropsychologia, vol. 25, pp. 645-652

Peretz, I. (1987) Shifting ear-asymmetry in melody comparison through transposition. Cortex, vol. 23, pp. 317-323

Peretz, I. (1985) Asymétrie hémisphérique dans les amusies. Revue neurologique, vol. 141, pp. 169-183

Peretz, I. & Morais, J. (1983) Task determinants of ear differences in melody processing. Brain and Cognition, vol. 2(4), pp. 313-330

Morais, J., Peretz, I., Gudansky, M. & Guiard, Y. (1982) Ear asymmetry for chord recognition in musicians and nonmusicians. Neuropsychologia, vol. 20, pp. 351-354

Peretz, I. & Morais, J. (1980) Modes of processing melodies and ear-asymmetry in nonmusicians. Neuropsychologia, vol. 20, pp. 447-489

Chapters

Peretz, I. (2003) Brain specialization for music: New evidence from congenital amusia. In, I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music. Oxford: Oxford University Press, pp. 192-203

Peretz, I. (2002) La musica e il cervello. In, J. Nattiez, M. Bent, R. Dalmonte & M. Baroni (Eds.), Enciclopedia della musica vol. II, Torino: G. Einaudi

Peretz, I. (2001) Music perception and recognition. In, B. Rapp (Ed.), The Handbook of Cognitive Neuropsychology. Hove: Psychology Press, pp. 519-540

Peretz, I. (2001) Listen to the brain: The biological perspective on musical emotions. In, J.A. Sloboda & P. Juslin (Eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press

Peretz, I. (2001) The biological foundations of music. In, E. Dupoux (Ed.), Language, Brain and Cognitive development: Essays in honor of Jacques Mehler. Cambridge: The MIT Press, A bradford book.

Patel, A. & Peretz, I. (1997) Is music autonomous from language? A neuropsychological appraisal. In, I. Deliège & J.A. Sloboda (Eds.), Perception and cognition of music. Hove: Psychology Press, pp. 191-215

Peretz, I. & Hébert, S. (1995) Music processing after brain damage: The case of rhythm without melody. In, R. Steinberg (Ed.), Music and the mind machine. The psychophysiology and psychopathology of the sense of music. Berlin: Springer-Verlag, pp. 127-137

Peretz, I. (1994) Les agnosies auditives. In, X. Seron & M. Jeannerod (Eds.), Neuropsychologie Humaine. Liège: Mardaga, pp. 205-216

Peretz, I. (1994) Les agnosies auditives: une analyse fonctionnelle. In, S. McAdams & E. Bigand (Eds.), Penser les sons. Psychologie cognitive de l'audition. Paris: Presses universitaires de France, pp. 215-248. translation

Peretz, I. & Morais, J. (1993) Specificity for music. In, F. Boller & J. Grafman (Eds.), Handbook of Neuropsychology vol. 8, Amsterdam: Elsevier, pp. 373-390

Peretz, I. (1993) Auditory agnosia: A functional analysis. In, S. McAdams & E. Bigand (Eds.), Thinking in Sound. The Cognitive Psychology of Human Audition. New York: Oxford University Press, pp. 199-230

Peretz, I. & Morais, J. (1989) La musique et la modularité. In, S. McAdams & I. Deliège (Eds.), La musique et les sciences cognitives. Liège: Mardaga, pp. 393-414. translation

Peretz, I. & Morais, J. (1988) Determinants of laterality for music: Toward an information processing account. In, K. Hugdahl (Ed.), Handbook of dichotic listening: Theory, methods and research. New York: J. Wiley, pp. 284-323

Presentations

Moreau, P., Peretz, I. & Jolicoeur, P. (2008) Intact automatic brain responses to pitch changes in congenital amusia. Neurosciences and Music III : Disorders and Plasticity, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2008) The effects of a video soundtrack on the processing of irrelevant acoustic changes : A mismatch negativity study. CNS Annual Meeting (Cognitive Neuroscience Society), San Francisco, USA.

Phillips-Silver, J., Peretz, I., Toiviainen, P., Gosselin, N. & Piché, O. (2008) Does "amusic" mean unmusical? 10th International Conference on Music Perception & Cognition, Sapporo, Japan Proceedings of the 10th International Conference on Music Perception and Cognition

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) Video soundtrack does not interfere with the auditory mismatch negativity. SQRP, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) Reliable mismatch negativity event-related potentials for tones presented with a concurrent video soundtrack. TENNET Annual Conference, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) La trame sonore d’un film n’interfère pas avec les potentiels évoqués auditifs: une étude de mismatch negativity. Congrès de l'ACFAS, Montreal, Canada.

Lidji, P., Kolinsky, R., Peretz, I., Vanasse-Larochelle, J-P. & Morais, J. (2007) Do lyrics and tune telling different stories disturb the listeners? SMPC (Society for Music Perception and Cognition) conference. (poster presentation)

Lidji, P., Peretz, I., Kolinsky, R., Colin, C. & Morais, J. (2007) Pre-attentive and attentive change detection of vowel and pitch in sung syllables: An event-related potential study. Language and music as cognitive systems, Cambridge (UK).

Lidji, P., Franco, A., Kolinsky, R. & Peretz, I. (2006) Un, deux, trois, chantons ! Interactions entre hauteur des notes et chiffres. Congrès de l’ACFAS , L'interdisciplinarité dans les sciences et technologies de la musique. Montréal (Canada)

Lidji, P., Kolinsky, R., Peretz, I. & Morais, J. (2006) Interactions between phonemes and melody in the perception of natural and synthesized sung syllables. 9th International Conference on Music Perception and Cognition. Bologne (Italy)

Lidji, P., Kolinsky, R., Peretz, I., Besson, M., Astesano, C. & Morais, J. (2005) Perceptual interactions between lyrics and tunes : Vowels sing but consonants speak. Neurosciences and Music II, Leipzig (Germany)

Lidji, P., Kolinsky, R., Besson, M., Peretz, I. & Morais, J. (2004) Relations between phonology and melody in the perception and the memory of songs. HFSP Team Meeting, Lisbonne (Portugal)

Lidji, P., Kolinsky, R., Peretz, I., Astesano, C., Besson, M. & Morais, J. (2004) Interactions between phonological and melodical dimensions of songs. Workshop Psycholinguistics in Flanders. Anvers (Belgium)

Lochy, A., Hyde, K., Parisel, S., Van Hyfte, S. & Peretz, I. (2004) Discrimination of speech prosody in congenital amusia. Poster presented at “Cognitive Neuroscience Society Annual Meeting ”. San Francisco (USA), April 18-20.

Hyde, K., Peretz, I., Zatorre, R. & Penhune, V. (2004) A voxel-based morphometric study of congenital amusic individuals. Poster presented at “Functional Neuroimaging: Methods and Clinical Applications”. Montreal (Canada), May 2-4.

Hyde, K., Peretz, I., Zatorre, R. & Penhune, V. (2004) The brain morphometry of congenital amusic individuals. Poster presented at “Cognitive Neuroscience Society Annual Meeting ”. San Francisco (USA), April 18-20.

Roy, M., Peretz, I. & Rainville, P. (2003) Effects of emotions induced by music on experimental pain. Communication affichée présentée au congrès du Canadian Pain Society, Toronto.

Roy, M., Peretz, I. & Rainville, P. (2003) Effet des émotions induites par la musique sur la douleur expérimentale. Communication affichée présentée à 12ème journée scientifique du Groupe de Recherche en Neuropsychologie Expérimentale, Magog, Québec.

Hyde, K. & Peretz, I. (2003) Brains that are out-of-tune but in-time. Lammi (Finland), March 2-9.. Poster presented at “Helsinki Winter School in Cognitive Neuroscience”.

Hyde, K., Zatorre, R. & Peretz, I. (2003) Evidence for the specific role of the right auditory cortex in fine pitch resolution. Poster presented at “Organization for Human Brain Mapping Annual Conference”. New York (USA), June 18-22.

Hyde, K., Zatorre, R. & Peretz, I. (2003) The role of the right auditory cortex in fine pitch resolution. Poster presented at ‘Montreal Neurological Institute Neuropsychology Day’, McGill University, Montreal (Canada), April 28.

Roy, M., Khalfa, S. & Peretz, I. (2002) Rôle de l’expertise musicale dans le ressenti émotionnel de musiques consonantes et dissonantes. Communication orale présentée à L’ACFAS, Québec, Québec

Hyde, K. & Peretz, I. (2002) ‘Out-of-pitch’ but still ‘in-time’: an auditory psychophysical study in congenital amusic adults. Poster presented at “Neurosciences and Music: mutual interactions and implications on developmental functions”, Venice (Italy), October 25-27.

Peretz, I. (2001) Does music help to recall lyrics? Poster presentation at 'Canadian Society for Brain, Behaviour and Cognitive Science Meeting', Quebec, Quebec.

Dalla Bella, S. & Peretz, I. (2001) Discrimination and ordering of musical styles: Effects of training and exposure. Poster presentation at "2001 meeting of the Society for Music Perception and Cognition (SMPC2001)", Queen's University, Kingston (Canada), August 9-11.

Gosselin, N., Peretz, I. & Adolphs, R. (2001) Rôle de l'amygdale dans la perception de la peur évoquée par la musique. Journée scientifique du GRENE.

Hyde, K., Peretz, I. & Patel, A. (2001) Dissociation entre le traitement prosodique et musical dans un cas d’amusie congénitale. Oral presentation at the “10ième Journée Scientifique du Groupe de Recherche en Neuropsychologie Expérimentale”. Orford, QC (Canada), March 30-31.

Gosselin, N., Peretz, I., Belin, P. & Zatorre, R. (2001) Neural correlates of music recognition as measured by event-related fMRI. Cognitive Neuroscience Society Meeting, New York City.

Hyde, K., Peretz, I. & Patel, A. (2001) A dissociation between the processing of prosodic and musical patterns: evidence from a new case of congenital amusia. Oral presentation at “Cognitive Neuroscience Society Annual Meeting ”. New-York (USA), March 25-27.

Hyde, K., Ayotte, J., Peretz, I., Clément, J. & Montfort, S. (2000) Mesure des seuils de discrimination de hauteur chez l’adulte dysmusique. Poster presented at the “9ième Journée Scientifique du Groupe de Recherche en Neuropsychologie Expérimentale”, Orford (Canada), March 24-25.

Hébert, S., Gagnon, L. & Peretz, I. (2000) La mélodie aide-t-elle à récupérer la parole chez l'aphasique adulte? Oral presentation at "68e congrès de l'Association canadienne-française pour l'avancement des sciences" (ACFAS), as part of the symposium 'Penser les sons. L'organisation du monde sonore, du normal au pathologique', Montreal,Quebec.

Hébert, S., Gagnon, L. & Peretz, I. (2000) Is singing better than speaking for an aphasic? Poster presentation at 'The Biological foundations of Music', New-York, New-York (USA).

Hyde, K., Peretz, I., Clément, J. & Ayotte, J. (2000) Determination of pitch and temporal discrimination thresholds in the adult dysmusic. Poster session presented at “The Biological Foundations of Music, A New York Academy of Sciences Conference”, New York (USA), May 20-22.

Hyde, K., Valiquette, M., Touchette, E., Peretz, I. & Clément, J. (2000) Mesure des seuils auditifs dans des tâches de discrimination de la hauteur et des mouvements de FO. Poster presented at the “68e Congrès de l’ACFAS”, Montréal (Canada), May 15-19.

Lavoie, M.E., Giguère, J-F. & Peretz, I. (1999) Event-related potential study of congruity and familiarity in a context of music and text. Psychophysiology, vol. 36:S72. presentation presented in Grenade, Espagne.

Dalla Bella, S., Parent, V., Viens, J., Gosselin, N., Touchette, E. & Peretz, I. (1999) Mode et dissonance dans les jugements émotionnels en musique. SQRP, Québec.

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