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Selected publications, by year


2008 2007 2006 2005 2004 2003 2002 2001 2000 1999 1998 1997 1996

2008top

Moreau, P., Peretz, I. & Jolicoeur, P. (2008) Intact automatic brain responses to pitch changes in congenital amusia. Neurosciences and Music III : Disorders and Plasticity, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2008) The effects of a video soundtrack on the processing of irrelevant acoustic changes : A mismatch negativity study. CNS Annual Meeting (Cognitive Neuroscience Society), San Francisco, USA.

Phillips-Silver, J., Peretz, I., Toiviainen, P., Gosselin, N. & Piché, O. (2008) Does "amusic" mean unmusical? 10th International Conference on Music Perception & Cognition, Sapporo, Japan Proceedings of the 10th International Conference on Music Perception and Cognition


2007top

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) Video soundtrack does not interfere with the auditory mismatch negativity. SQRP, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) Reliable mismatch negativity event-related potentials for tones presented with a concurrent video soundtrack. TENNET Annual Conference, Montreal, Canada.

Moreau, P., Peretz, I., Jolicoeur, P. & Gosselin, N. (2007) La trame sonore d’un film n’interfère pas avec les potentiels évoqués auditifs: une étude de mismatch negativity. Congrès de l'ACFAS, Montreal, Canada.

Lidji, P., Kolinsky, R., Peretz, I., Vanasse-Larochelle, J-P. & Morais, J. (2007) Do lyrics and tune telling different stories disturb the listeners? SMPC (Society for Music Perception and Cognition) conference . (poster presentation)

Lidji, P., Peretz, I., Kolinsky, R., Colin, C. & Morais, J. (2007) Pre-attentive and attentive change detection of vowel and pitch in sung syllables: An event-related potential study. Language and music as cognitive systems, Cambridge (UK).


2006top

Lidji, P., Franco, A., Kolinsky, R. & Peretz, I. (2006) Un, deux, trois, chantons ! Interactions entre hauteur des notes et chiffres. Congrès de l’ACFAS , L'interdisciplinarité dans les sciences et technologies de la musique. Montréal (Canada)

Lidji, P., Kolinsky, R., Peretz, I. & Morais, J. (2006) Interactions between phonemes and melody in the perception of natural and synthesized sung syllables. 9th International Conference on Music Perception and Cognition. Bologne (Italy)


2005top

Lidji, P., Kolinsky, R., Peretz, I., Besson, M., Astesano, C. & Morais, J. (2005) Perceptual interactions between lyrics and tunes : Vowels sing but consonants speak. Neurosciences and Music II, Leipzig (Germany)


2004top

Lidji, P., Kolinsky, R., Besson, M., Peretz, I. & Morais, J. (2004) Relations between phonology and melody in the perception and the memory of songs. HFSP Team Meeting, Lisbonne (Portugal)

Lidji, P., Kolinsky, R., Peretz, I., Astesano, C., Besson, M. & Morais, J. (2004) Interactions between phonological and melodical dimensions of songs. Workshop Psycholinguistics in Flanders. Anvers (Belgium)

Hyde, K., Peretz, I., Zatorre, R. & Penhune, V. (2004) A voxel-based morphometric study of congenital amusic individuals. Poster presented at “Functional Neuroimaging: Methods and Clinical Applications”. Montreal (Canada), May 2-4.

Lochy, A., Hyde, K., Parisel, S., Van Hyfte, S. & Peretz, I. (2004) Discrimination of speech prosody in congenital amusia. Poster presented at “Cognitive Neuroscience Society Annual Meeting ”. San Francisco (USA), April 18-20.

Hyde, K., Peretz, I., Zatorre, R. & Penhune, V. (2004) The brain morphometry of congenital amusic individuals. Poster presented at “Cognitive Neuroscience Society Annual Meeting ”. San Francisco (USA), April 18-20.


2003top

Roy, M., Peretz, I. & Rainville, P. (2003) Effects of emotions induced by music on experimental pain. Communication affichée présentée au congrès du Canadian Pain Society, Toronto.

Roy, M., Peretz, I. & Rainville, P. (2003) Effet des émotions induites par la musique sur la douleur expérimentale. Communication affichée présentée à 12ème journée scientifique du Groupe de Recherche en Neuropsychologie Expérimentale, Magog, Québec.

Hyde, K. & Peretz, I. (2003) Brains that are out-of-tune but in-time. Lammi (Finland), March 2-9. . Poster presented at “Helsinki Winter School in Cognitive Neuroscience”.

Hyde, K., Zatorre, R. & Peretz, I. (2003) Evidence for the specific role of the right auditory cortex in fine pitch resolution. Poster presented at “Organization for Human Brain Mapping Annual Conference”. New York (USA), June 18-22.

Hyde, K., Zatorre, R. & Peretz, I. (2003) The role of the right auditory cortex in fine pitch resolution. Poster presented at ‘Montreal Neurological Institute Neuropsychology Day’, McGill University, Montreal (Canada), April 28.

Peretz, I. (2003) Brain specialization for music: New evidence from congenital amusia.In, I. Peretz & R. Zatorre (Eds.), The Cognitive Neuroscience of Music. Oxford: Oxford University Press, pp. 192-203


2002top

Roy, M., Khalfa, S. & Peretz, I. (2002) Rôle de l’expertise musicale dans le ressenti émotionnel de musiques consonantes et dissonantes. Communication orale présentée à L’ACFAS, Québec, Québec

Hyde, K. & Peretz, I. (2002) ‘Out-of-pitch’ but still ‘in-time’: an auditory psychophysical study in congenital amusic adults. Poster presented at “Neurosciences and Music: mutual interactions and implications on developmental functions”, Venice (Italy), October 25-27.

Peretz, I. (2002) La musica e il cervello.In, J. Nattiez, M. Bent, R. Dalmonte & M. Baroni (Eds.), Enciclopedia della musica vol. II, Torino: G. Einaudi


2001top

Peretz, I. (2001) Does music help to recall lyrics? Poster presentation at 'Canadian Society for Brain, Behaviour and Cognitive Science Meeting', Quebec, Quebec.

Hyde, K., Peretz, I. & Patel, A. (2001) A dissociation between the processing of prosodic and musical patterns: evidence from a new case of congenital amusia. Oral presentation at “Cognitive Neuroscience Society Annual Meeting ”. New-York (USA), March 25-27.

Dalla Bella, S. & Peretz, I. (2001) Discrimination and ordering of musical styles: Effects of training and exposure. Poster presentation at "2001 meeting of the Society for Music Perception and Cognition (SMPC2001)", Queen's University, Kingston (Canada), August 9-11.

Hyde, K., Peretz, I. & Patel, A. (2001) Dissociation entre le traitement prosodique et musical dans un cas d’amusie congénitale. Oral presentation at the “10ième Journée Scientifique du Groupe de Recherche en Neuropsychologie Expérimentale”. Orford, QC (Canada), March 30-31.

Gosselin, N., Peretz, I., Belin, P. & Zatorre, R. (2001) Neural correlates of music recognition as measured by event-related fMRI. Cognitive Neuroscience Society Meeting, New York City.

Gosselin, N., Peretz, I. & Adolphs, R. (2001) Rôle de l'amygdale dans la perception de la peur évoquée par la musique. Journée scientifique du GRENE.

Peretz, I. (2001) Listen to the brain: The biological perspective on musical emotions.In, J.A. Sloboda & P. Juslin (Eds.), Music and Emotion: Theory and Research. Oxford: Oxford University Press

Peretz, I. (2001) Music perception and recognition.In, B. Rapp (Ed.), The Handbook of Cognitive Neuropsychology. Hove: Psychology Press, pp. 519-540

Peretz, I. (2001) The biological foundations of music.In, E. Dupoux (Ed.), Language, Brain and Cognitive development: Essays in honor of Jacques Mehler. Cambridge: The MIT Press, A bradford book.


2000top

Hébert, S., Gagnon, L. & Peretz, I. (2000) Is singing better than speaking for an aphasic? Poster presentation at 'The Biological foundations of Music', New-York, New-York (USA).

Hébert, S., Gagnon, L. & Peretz, I. (2000) La mélodie aide-t-elle à récupérer la parole chez l'aphasique adulte? Oral presentation at "68e congrès de l'Association canadienne-française pour l'avancement des sciences" (ACFAS), as part of the symposium 'Penser les sons. L'organisation du monde sonore, du normal au pathologique', Montreal,Quebec.

Hyde, K., Ayotte, J., Peretz, I., Clément, J. & Montfort, S. (2000) Mesure des seuils de discrimination de hauteur chez l’adulte dysmusique. Poster presented at the “9ième Journée Scientifique du Groupe de Recherche en Neuropsychologie Expérimentale”, Orford (Canada), March 24-25.

Hyde, K., Peretz, I., Clément, J. & Ayotte, J. (2000) Determination of pitch and temporal discrimination thresholds in the adult dysmusic. Poster session presented at “The Biological Foundations of Music, A New York Academy of Sciences Conference”, New York (USA), May 20-22.

Hyde, K., Valiquette, M., Touchette, E., Peretz, I. & Clément, J. (2000) Mesure des seuils auditifs dans des tâches de discrimination de la hauteur et des mouvements de FO. Poster presented at the “68e Congrès de l’ACFAS”, Montréal (Canada), May 15-19.


1999top

Lavoie, M.E., Giguère, J-F. & Peretz, I. (1999) Event-related potential study of congruity and familiarity in a context of music and text. Psychophysiology , vol. 36:S72. presentation presented in Grenade, Espagne.

Dalla Bella, S., Parent, V., Viens, J., Gosselin, N., Touchette, E. & Peretz, I. (1999) Mode et dissonance dans les jugements émotionnels en musique. SQRP, Québec.


1998top


1997top

Patel, A. & Peretz, I. (1997) Is music autonomous from language? A neuropsychological appraisal.In, I. Deliège & J.A. Sloboda (Eds.), Perception and cognition of music. Hove: Psychology Press, pp. 191-215


1996top

publications